Jesse Malin

350 West Burnside Street, Portland, OR
Sun June 25, 2023
Doors: 7:00 pm / SHOW: 7:30 pm PDT
Ages 21 and Up

Jesse Malin hits the US to tour behind the 20th anniversary expanded edition of THE FINE ART OF SELF DESTRUCTION

“Malin writes vivid songs with killer tunes and sings them with scary conviction.There is simply nothing more you can demand from a great rock record *****”


Released in 2003, ‘The Fine Art Of Self Destruction’ was the debut album by New York based singer-songwriter Jesse Malin. “It wasn’t named for drug or alcohol abuse,” he states. “It was more about a personal wreckage when I looked back on my life, from my parents' divorce to failed relationships, broken up bands, dropping out of school, crashing cars, breaking things. It was more of a spiritual journey in some sense. This record is definitely one of my favourites.”

To celebrate its 20th anniversary, ‘The Fine Art Of Self Destruction’ was reissued on 17th February 2023 in expanded form with a bonus disc of the album reimagined and re-recorded with Malin’s longtime band. The bonus material was produced by Derek Cruz and engineered by Geoff Sanoff, who worked on Jesse’s recent ‘Sunset Kids’ and ‘Sad And Beautiful World’ releases.

A video for a new version of the album song ‘Brooklyn’ entitled ‘Brooklyn (Walt Whitman in the Trash)’ that honours New York in days of yore has been directed by Catherine Popper and Vivian Wang. “Cat and Vivian have a great sense of beauty, art and decay,” Malin adds. “‘Brooklyn’ is about beginnings, those early days of innocence and big dreams that often collide with irreversible mistakes and regret. We try to find ways to accept the mistakes and look back with laughter, forgiveness and love.”

Following his teenage years in the pioneering hardcore band Heart Attack and his 20s fronting the wild and beloved D Generation, Malin took a cue from his songwriting heroes and was ready for a chance to stand alone. His solo debut was recorded over six days in New York City, live and raw.

“I was still learning how to sing and tell stories. These songs were written in a little apartment downtown, without a record deal, a manager, or any expectation of anything coming of it - just a need to write them.”